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This is known as the “poo phase” and it affects everyone, even the magnificent Sindel.
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On top of that your raw vocal won’t “sit in” the backing at first and you’ll likely sink into an absinthe-fuelled depression, tempted to end it all and join Spaceship Samurai.ĭon’t do it. Because of the way your voice echoes in your skull (not to mention a shower cubicle) when you’re singing, it sounds different when you hear it recorded and played back, and it can crush you. This is the part where a lot of people give up, so you need to HTFU.
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It’s fun if you dig that kind of thing, but it’s a lot more work than the karaoke track. I’m doing the entire arrangement for “You Shouldn’t Mine” in Ableton Live 9 with some filthy guitar licks from my brother again. Modern DAWs such as FL Studio or Reaper will let you program an entire backing orchestra with MIDI data and virtual instruments if you want to, or just lay down that jazz flute that you simply must have on top of AC/DC’s “Highway to Delve”. Even though I can play guitar, my brother is far better than me so I pulled him in to help on “The Carebear Type” (thanks again Ploddy). You may also have a friend or corpie who plays an instrument, or you may play yourself. It’s a hack and works better with some tracks than others, but as a last resort it can suffice, especially for tracks that aren’t aiming for high production values (which is fine, I’m not judging you!). It is possible to pull the vocal out of the original song by taking advantage of the fact that most tracks mix the vocal dead centre while the instruments are panned one side or the other, and vocals tend to sit in a specific frequency range. Do be careful if it has backing vocals, as they may conflict with your lyric – but hey it worked for Turpster so there’s no hard and fast law. They have huge, reasonably priced catalogues and many support transposing so you can match the track to your voice. The easiest by far is a quality karaoke track from somewhere like karaoke-version (which I use and recommend). Your music can come from a number of different sources. In a pinch use earbuds rather than open-back gaming headphones as they will minimise spill. There are famous cases of the sound from artists’ cans bleeding into their mic on well known tracks, but in general it’s something you want to avoid. Of course you’re going to need to listen to the backing track or a metronome while you’re singing to match the tempo, so here’s my next top tip: invest in a set of over-ear, closed-back headphones such as my AKG K271s, which I love in a sexually inappropriate way. Mattresses, carpet and duvets make great amateur sound damping Don’t have anywhere quiet to record? Do it in your car they are usually well sound-insulated if you can sing sitting down. Damp the reverb in the room with duvets or mattresses and use a pop shield to cut your plosives. These extra takes can be used for vocal doubling in the mix to fatten the track or to repair a wobble. Watch your levels, don’t peak over 0dB and do multiple takes. Your voice is probably the same, so get familiar with it and record at your best time of the day (or in my case, after coffee). Road noise, kids, crickets, planes, drunk uncles, computer fans and so on all conspire to give your track distracting background crud. If you’re playing your own instruments, I’d recommend recording each one and your vocal separately so that they can be individually manipulated in the edit.Įveryone’s home has better and worse times for recording. I use a Behringer C-1 large diaphragm condenser with a Zoom H4N recorder and I’m happy enough with the results. You essentially need to get your mouth sounds into a computer as cleanly as possible so that you can Autotune the crap out of it delicately tweak it as needed in post without having to run laborious repair.
#AUTOTUNE ONLINE NO WOBBLE FREE#
Mic theory is well outside the remit of this article, and Berklee’s free Introduction to Music Production will give you a good grounding in that and many other things needed later. You get what you pay for and they should probably not be mixed with fruit juice. You don’t have to spend a fortune but spending a little more pays off big, like faction webs on Daredevils. This part can be done with a gaming headset or iPhone, but it is one area where hardware makes a big difference.
#AUTOTUNE ONLINE NO WOBBLE PLUS#
On the plus side though, I do have a 1:1 scale cardboard Dalek costume now, so I have that going for me which is nice.Īt some point you’re going to have to grab a microphone and make noises at it. Note to last week’s readers: due to Halloween I was unable to finish “You Shouldn’t Mine” in time for this week. In part 1 of this series, following on from Sindel Pellion’s Parody 101, we looked at some tips for choosing a song to parody and writing the lyrics.